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Immigrant costume - "shutak", "kavade" from Gorno Brodi


Immigrant costume - "shutak", "kavade" from Gorno Brodi

The costume was brought to Razlog by the Bulgarians, settlers from the villages of Banitsa, Karakoy, Gorno Brody in Sersko (today's Greece). The costume is shown in May in the calendar 2022, 14 sheets, wall, with folk costumes "А Pirin Girl from the Razlog region"

👉 You can view the calendar here.

❤ Iliana Moneva from Razlog wore the costume.

❤ The costume is owned by a family from the village of Eleshnitsa, Razlog region.

❤ We truly thank the Municipality of Razlog for the support in publishing this calendar!

👉 The costume was brought to Razlog by the Bulgarians, settlers from the villages of Banitsa, Karakoy, Gorno Brody in Sersko (today's Greece). Even by the name of the outer garment it is known as „gornobrodski klashnik“.

🔸 The suit consists of a long shirt that reached the woman's ankle. The canvas for „koshuli” is woven from quite handmade thick cotton for the base and for the introduction of a horizontal station with a width of about 35-40 cm. The shirt - "koshulya" has embroidery on the lower end, most often with geometric ornaments, located as a framing strip on the skirts on the whole garment. The embroidery is made of thick cotton threads - the so-called contour full stitch. The same ornamentation is sometimes performed at a station. The stitches are arranged so that they form a dense embroidery with a predominant red or purple color, and the formed figures are ground with black edging. There is also embroidery on the ends of the sleeves.


Immigrant costume - "shutak", "kavade" from Gorno Brodi

🔸 In the absence of an embroidered bosom on the “koshulya” and a wide open bosom in the overall composition of the suit, an additional component appears in the clothing, called a bib. It is made of a cotton or velvet piece of fabric, which can also be lightly decorated and in the middle has got a string with which can be tied on the neck.

🔸 The outer garment is sleeveless, which is why it is called „kavade“ or „shutak” (from "shuto" earless, sleeveless). It is made of cotton fabric or velvet, short to or above the knees, with strongly protruding wedges to form a trapezoidal shape at the bottom, surrounded by several layers of black braid along the shoulder curve at the bottom and the bosom. The whole front part is made of "waffles" of small squares or diamonds, which are additionally made by hand.

🔸 A strip of velvet piece, quilted or padded, tailored and wrapped with a black braid called a „pala”, is sewn on the bottom of the hem.

🔸 In cold weather, the „shutak” is complemented by sleeves made of velvet, but with a color different from the main, which sometimes ends with fine lace. The sleeveless are connect with ties or a thin piece of cloth, which are transferred over the shoulders and pass through the woman's back.

🔸 It is belted with a homemade woven belt that has brown, green and yellow stripes arranged vertically. He tightens the clothes, gathers his fronts, and holds his skirts spread out. The apron is double-breasted and joined horizontally in the middle. It has a black base, and at its lower end with woven figures with red thread, crossed with black and ending in green. At the top of the apron is arranged V-shaped elements in different colors, it is called "monasteries".


Immigrant costume - "shutak", "kavade" from Gorno Brodi

🔸 Another type of apron is single-breasted or double-breasted and is called „ahram“. Features in the apron with V-shaped ornaments located at the bottom. They have a colored braid on three sides and with tightly placed fringe at the bottom. The other apron used is red, purple or green and has woven longitudinal lines of varying thickness. Between them there are ornaments of different colors, and the lower end ends with lace, crocheted.

🔸 An integral part of the women's suit with different types of metal jewelry. Additionally, buckles are added, which continue and are typical for migrants. They are made of precious metal, most often silver. The upper chest buttons are hung on both sides of the „shutak”. One end is with a beautifully crafted buckle, and the other is most often the head of an eagle. Both ends are fastened with several chains.

🔸 The veil is with a woolen headscarf, called in Razlozhno „kushak“, at the ends of which there are small flowers arranged side by side. It is also called the „sindzhirliya”. The four sides of the „kushak” are trimmed with fine fringes that can be: red, purple (wine), yellow, green. It is covered with diverging ends under the neck, which return to the nape.

Immigrant costume - "shutak", "kavade" from Gorno Brodi

🔸 She is shoed with socks. They are knitted from a thinner exposed white wool. The toes and heels are made of red yarn, and next to them there is a woven and colored ornament.

👉 The costume was worn by the beautiful Razlog flower Iliana Moneva. You can learn more about her in her business card here:

"My name is Iliana and I grew up in the town of Razlog. I have Razlog roots, but I also have a small immigrant background from the village of Karakoy, today's Greece. I am named after my father Ilian. He insisted that I bear his name.

I define myself as an artist. I graduated in Bulgarian Folk Choreography and now I am studying Cultural Heritage and Cultural Tourism. I work in the ensemble "Pirin" - Blagoevgrad as a dancer.

My family zealously follows the traditions. I have been brought up to be alert since I was a child. I owe all the love I feel for Bulgaria to my family.

I carry Bulgaria in my heart. I do not want to emigrate because I believe that more young people need to develop our country! And my town Razlog is a true guardian of traditions.

The feeling of wearing a costume over 100 years old is incomparable. I would wear a national costume whenever I have the opportunity.

For me, Bulgaria comes together in one word - Homeland! "

👉 Photographer: Petar Petrov

👉 The photos for the calendar were taken within the project "Study of the specifics and richness of national costumes from the Razlog region in the light of cultural diversity" is realized with the financial support of the National Culture Fund under the program "Cultural Heritage".






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